Archive for the “Festivals & Screenings” Category

THE SKIN I’M IN to have official LA Premiere as part of LA FILMFORUM

On Sunday Oct. 6, Los Angeles Filmforum presents the LA premiere of THE SKIN I’M IN, by Broderick Fox with a live pre-screening remix performance of the film’s score by composer Ronit Kirchman. Fox and Kirchman will both be in attendance for a Q&A following the screening.

THE SKIN I'M IN: The Original Score

 

Sunday October 6
Remix set at 7 PM
Screening at 7:30 PM
in the Spielberg Theater
at the historic Egyptian Theater in Hollywood
6712 Hollywood Blvd., Los Angeles CA 90028

 

 

 

Tickets: $10 general, $6 students/seniors; free for Filmforum members.
Available by credit card in advance from Brown Paper Tickets or at the door.
http://www.brownpapertickets.com/event/471005

Full details at http://www.lafilmforum.org/

**For those not in Los Angeles, attend in spirit: THE SKIN I’M IN is available internationally on iTunes and Amazon Oct. 1**

Click here preview the soundtrack.

Los Angeles Filmforum is the city’s longest-running organization screening experimental and avant-garde film and video art, documentaries, and experimental animation.  2013 marks its 38th year.

 

Harvardwood Interview with THE SKIN I’M IN director Broderick Fox

 

Harvardwood

Thanks to Harvardwood, the Harvard University Entertainment Industry Affinity Group for this great interview, which comes out the week of our international iTunes digital and Amazon DVD release as well as the homecoming Los Angeles Premiere of THE SKIN I’M IN as part of LA Filmforum at the historic Egyptian Theater.

Q: In your film, you have a running theme of searching for spirituality. Where would you say your perspective stands now and how is it different from when you first began filming?

A: There are many different religions and philosophies that all seem to point to the same thing. Some people call it consciousness. I’ve come to realize that all of the pain in my life has come from separating myself from the rest of the world, creating duality. Feeling different or less than and withdrawing; looking to things like alcohol to fill a void rather than confronting pain or the aspects of life and culture that are causing it. In getting the tattoo and making this film, I now realize I created a pretty incredible rite of passage for myself, which has proven to be spiritual.  Read full interview here

Images from Fairy Tales 2013

The Skin I’m In screened at the 15th annual Fairy Tales Film Festival in Calgary, Canada this past weekend. This was opening weekend for the festival, which included a broad array of fascinating and fun works covering the spectrum of queer identity. Fox’s alter ego Dina Brown made an appearance for the Priscilla Queen of the Desert retro drag gala screening on Saturday night.  Other favorites of the weekend included Dominique Cardona and Laurie Colbert’s Margarita, Cory Krueckeberg’s The Go Doc Project, Macky Alston’s Love Free or Die, and Grant Lahood’s Intersexion. A special thanks to the welcoming festival staff and engaged audiences. We hope to be back with our next film!

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Filmmaker Broderick Fox and THE SKIN I’M IN head to Calgary for FAIRYTALES 2013

 

Fairytales 2013Next stop Calgary, Canada! I’m onored to be headed up to Alberta as a guest filmmaker for the opening weekend of Fairytales 2013, Calgary’s 15th annual queer film fest. THE SKIN I’M IN will screen 7PM Sunday, May 26th at the old Plaza Theatre, followed by a Q&A with myself and executive producer Lee Biolos. Spread the word, and come join us! Click here for full festival details

Fairytales 2013

 

EDGE MIAMI Review: THE SKIN I’M IN to Screen at Miami Gay & Lesbian FIlm Festival

 

 

I’m humbled by this review of the film which appeared today in EDGE MIAMI, in advance of Saturday’s Miami Gay and Lesbian Film Festival Screening.

“Fox allows the documentary to open up and breathe, and in doing so, composes a lyrical film built out of layers, with the tattoo occupying only the most superficial of those layers — that is, the tattoo lives on the “skin” of the film, just as it lives on Fox’s skin, but it emerges from depths that are dark and perilous. The light to which the filmmaker, and his film, ascends is warm and enveloping…This documentary may take the camera-as-confessor approach that our online culture seems to foster, but Fox the filmmaker knows how to take the stuff of memoir and fashion art. His transformative journey is remarkable, and perhaps unique, but parts of it will be recognizable to many viewers; moreover, this film may well become part of the healing paths of those who sit with Fox, in a darkened theatre, to share in his journey.” Read full review here.

 

Edge on the NEt

EFILMCRITIC.com Victoria Film Festival 2013 Interview – THE SKIN I’M IN director Broderick Fox

Victoria Film Festival 2013 Interview – THE SKIN I’M IN director Broderick Fox

by Jason Whyte

THE SKIN I'M IN producer Lee Biolos, MATERIAL SUCCESS director Jesse Mann, and THE SKIN I'M IN director Broderick Fox at the 2013 Victoria Film Festival Opening Gala.

THE SKIN I’M IN producer Lee Biolos, MATERIAL SUCCESS director Jesse Mann, and THE SKIN I’M IN director Broderick Fox at the 2013 Victoria Film Festival Opening Gala. Photo by Jason Whyte

 

Please tell me about the technical side of the film; your relation to the film’s cinematographer, what the film was shot on and why it was decided to be photographed this way.

I shot much of the project myself. It also pulls from a lifelong archive of video, film, and photographic imagery I shot growing up. As such it contains a dizzying array of formats including Super 8 film, VHS, Hi-8, Mini DV, SD Video, and HDV. Two wonderful friends from film school shot key materials; Sarah Levy, shot my first trip up to Victoria to meet Rande and also filmed the sit-down interviews with my multiple “selves.” Andrew Groves shot nearly all the tattoo sessions for me, 29 hours of tattooing all told. It was a real gift to have the camera operators in these intimate situations be close friends whom I trust implicitly. In a few additional instances other friends, a former student, and my partner picked up the camera when needed. People have called the project a very big “little film,” and I hope it inspires others to pick up the tools and technologies at their disposal to tell great stories.

 

Read full interview here

 

 

 

Filmmaker is a Fox with Many Faces: Victoria Times-Colonist Review of THE SKIN I’M IN

 

“PART OF THIS FILM IS ME TRYING TO LINK MY HEAD BACK UP TO MY BODY,” SAYS FOX.

 

MICHAEL D. REID

TIMES COLONIST

JANUARY 30, 2013

 

BOX OFFICE

What: The Skin I’m In

Where: Vic Theatre

When: Saturday, 9:30 p.m.

Rating: Four stars (out of five)

 

 

Broderick Fox never imagined he might someday be mistaken for Antonio Banderas.

Online searches for his documentary The Skin I’m In, which makes its Canadian première at the Victoria Film Festival, often yield references to The Skin I Live In. In that twisted thriller directed by Pedro Almodovar, Banderas plays a sinister plastic surgeon who holds a beautiful woman captive to test a synthetic alternative to human skin he’s perfecting.

Fox’s unflinching low-tech reflection on years of bodily shame, addiction and other issues that inspired him to transform his body into a living canvas seems worlds apart from Almodovar’s sleek, creepy meditation on beauty. But a Spanish film scholar who once mentored Fox noted the films resonate in similar ways, he said.

Both, for instance, explore the nature of identity. In Fox’s case, it was the spiritual and sexual ramifications of identity that would unite him with Rande Cook, the Victoria-based First Nations artist who created the full-back tattoo that memorializes Fox’s experiences.

“There are a lot of people who might write the film off as narcissistic,” admits Fox, 38, who worked on his project for six years and titled it early on. Read full article here.

 

Monday Magazine Previews THE SKIN I’M IN

Victoria Film Festival preview: The Skin I’m In

By Colin Cayer – Monday Magazine
Published: January 30, 2013 4:00 PM

“There’s this fine line. There are native artists that consider everything to be sacred, yet they’ll sell it for a buck,” says Cook who needed to find a way that still felt right to support himself through his art and culture. He was left with one choice. “I had to create a new art form,” Cook says.

Instead of using sacred items representing the spirits of land, sky and ocean, Cook turned to the ancestral stories learned from his grandparents and interpreted their imagery — no desecration required.

This art form is what attracted film professor Broderick Fox. His film, The Skin I’m In, is an official selection at this year’s Victoria Film Fest. Read full article.

Broderick Fox sought out Victoria, BC artist Rande Cook in The Skin I'm In.

Broderick Fox sought out Victoria, BC artist Rande Cook in The Skin I’m In.