We’re honored to announce that THE SKIN I’M IN won “Best Feature” and “Best in Fest” at the inaugural 2015 Tattoo Arts Film Festival in Saskatoon, Canada. So grateful that audiences responded to the film and its questions. Especial thanks to festival founder Mark A. Allard for his support of the film and his vision putting together this festival!
The Skin I’m In will screen as one of the opening night films of the inaugural Tattoo Arts Film Festival at the historic Roxy Theatre in Saskatoon, Saskatchewan, Canada on Saturday April 4, 2015. The film will play at 9:30 PM, followed by a live Skype session with director Broderick Fox. Ticket purchases and the full lineup for this two-day festival accessible at: https://www.picatic.com/TattooArtsFilmFestival
Thanks to Tee S. Hawkins and Kenya Gales over at Queer 2 the T, PR Radio’s top-ranking show, for a great interview about The Skin I’m In. Tee’s great questions led to an in-depth conversation about body, identity, spirituality, and intergenerational perspectives in the digital-age LGBTQ community. We also talk in depth about the amazing work of featured artists and collaborators Rande Cook and Zulu, and I share new information about my next film project Zen & the Art of Dying and its queer central character, the pioneering Zenith Virago.
THE SKIN I’M IN is now a featured spotlight film on Fandor, an extraordinary subscription viewing platform here in the U.S. that includes independent, experimental, and art house cinema from across the globe. Unlike Netflix, they also program short films, and have included 2 early short works by director Broderick Fox in their viewing collection as well–HOME and THINGS GIRLS DO.
Also check out Fandor’s fantastic blog Keyframe which features Skin Deep and Deeper an extended interview with Fox by columnist Susan Gerhard.
A child photographer who grew into a full-fledged self-reflexive 21st-century cine-autobiographer, Broderick Fox has occupied many identities, and his latest—THE SKIN I’M IN—is not so much an integration of those identities as a coming-to-terms with the plural possibilities of a life. Read full article
We’re pleased to announce that director Broderick Fox is one of 12 California artists awarded a 2014 Artistic Innovation Grant from the Center for Cultural Innovation. Fox will put the funds towards sound mixing on his next documentary ZEN & THE ART OF DYING.
Click here for a full press release about CCI, the grant, and Fox’s new film!
Thanks to The Occidental Weekly and staff writer Sarah Corsa for this thoughtful article on THE SKIN I’M IN and the boundaries of the professor’s body.
Students are generally unaware of their professors’ personal lives. The life experiences that inform their teaching and perspectives stay hidden so that students only see the effects on their syllabi. Occasionally, professors share opinions share campus issues or current events, but students still rarely see the events that shaped these ideas – unless they make an autobiographical documentary, of course. Read full article
O Canada! Check out another thoughtful review of THE SKIN I’M IN’s digital and DVD release in Gay Calgary Magazine.
A film that takes you down deep into the underbelly of one man’s struggle with identity, gender, sexuality, body image and alcohol will be readily available to view across the globe beginning October 1st.
The Skin I’m In is a candid, honest and raw autobiographical look at Broderick Fox’s brush with death in a Berlin subway terminal and rise to self-actualization.
“Being blunt about my story I can… entertain but potentially also help other people,” he says. “One of the gifts that sobriety has given me is the sense that honesty is a great liberator.”
In his film Fox, a world travelled gay university professor/film maker/erotic hairdresser/actor/singer and variety of other things journeys to Victoria, British Columbia to have First Nations artist Rande Cook design him a personal tattoo, commemorative of a lifetime of trial and achievement. Read full article
On Sunday Oct. 6, Los Angeles Filmforum presents the LA premiere of THE SKIN I’M IN, by Broderick Fox with a live pre-screening remix performance of the film’s score by composer Ronit Kirchman. Fox and Kirchman will both be in attendance for a Q&A following the screening.
Sunday October 6
Remix set at 7 PM
Screening at 7:30 PM
in the Spielberg Theater
at the historic Egyptian Theater in Hollywood
6712 Hollywood Blvd., Los Angeles CA 90028
Tickets: $10 general, $6 students/seniors; free for Filmforum members.
Available by credit card in advance from Brown Paper Tickets or at the door.
Full details at http://
Click here preview the soundtrack.
Los Angeles Filmforum is the city’s longest-running organization screening experimental and avant-garde film and video art, documentaries, and experimental animation. 2013 marks its 38th year.
Check out the great review of THE SKIN I’M IN’s DVD release in EDGE ON THE NET.
Fox offers his story with no sense of self-importance — this is not a vanity project. Rather, this film will speak to anyone who has felt shattered and engaged in the struggle to become whole. Fox shares his triumphs and his fears; from his story we might draw solace, even strength. Read full review
Thanks to Harvardwood, the Harvard University Entertainment Industry Affinity Group for this great interview, which comes out the week of our international iTunes digital and Amazon DVD release as well as the homecoming Los Angeles Premiere of THE SKIN I’M IN as part of LA Filmforum at the historic Egyptian Theater.
Q: In your film, you have a running theme of searching for spirituality. Where would you say your perspective stands now and how is it different from when you first began filming?
A: There are many different religions and philosophies that all seem to point to the same thing. Some people call it consciousness. I’ve come to realize that all of the pain in my life has come from separating myself from the rest of the world, creating duality. Feeling different or less than and withdrawing; looking to things like alcohol to fill a void rather than confronting pain or the aspects of life and culture that are causing it. In getting the tattoo and making this film, I now realize I created a pretty incredible rite of passage for myself, which has proven to be spiritual. Read full interview here