Posts Tagged “Zulu Tattoo”

Broderick Fox Interviewed on Queer 2 the T

Queer 2 The T

Thanks to Tee S. Hawkins and Kenya Gales over at Queer 2 the T, PR Radio’s top-ranking show, for a great interview about The Skin I’m In. Tee’s great questions led to an in-depth conversation about body, identity, spirituality, and intergenerational perspectives in the digital-age LGBTQ  community. We also talk in depth about the amazing work of featured artists and collaborators Rande Cook and Zulu, and I share new information about my next film project Zen & the Art of Dying and its queer central character, the pioneering Zenith Virago.

Listen to the full interview.

 

 

Anthem Magazine Interview with THE SKIN I’M IN Director Broderick Fox

Thanks to Anthem Magazine and writer Kee Chang for this great interview leading up to the Oct. 1, 2013  International Digital Release of THE SKIN I’M IN on iTunes and Amazon.

Screen Shot 2013-09-07 at 8.10.10 AM

In 2005, at the age of 31, Broderick Fox was found unconscious on the tracks of a Berlin subway station with his head split open and a lethal blood alcohol level of 0.47. As it turns out, Fox had destroyed an entire bottle of vodka and later proceeded to fall onto the tracks—a walking blackout. The Skin I’m In concerns a human work-in-progress chronicling decades of bodily shame, addiction and suppressed sexual identity, which led to what Fox refers to as “the bottom”. Read full article

 

EFILMCRITIC.com Victoria Film Festival 2013 Interview – THE SKIN I’M IN director Broderick Fox

Victoria Film Festival 2013 Interview – THE SKIN I’M IN director Broderick Fox

by Jason Whyte

THE SKIN I'M IN producer Lee Biolos, MATERIAL SUCCESS director Jesse Mann, and THE SKIN I'M IN director Broderick Fox at the 2013 Victoria Film Festival Opening Gala.

THE SKIN I’M IN producer Lee Biolos, MATERIAL SUCCESS director Jesse Mann, and THE SKIN I’M IN director Broderick Fox at the 2013 Victoria Film Festival Opening Gala. Photo by Jason Whyte

 

Please tell me about the technical side of the film; your relation to the film’s cinematographer, what the film was shot on and why it was decided to be photographed this way.

I shot much of the project myself. It also pulls from a lifelong archive of video, film, and photographic imagery I shot growing up. As such it contains a dizzying array of formats including Super 8 film, VHS, Hi-8, Mini DV, SD Video, and HDV. Two wonderful friends from film school shot key materials; Sarah Levy, shot my first trip up to Victoria to meet Rande and also filmed the sit-down interviews with my multiple “selves.” Andrew Groves shot nearly all the tattoo sessions for me, 29 hours of tattooing all told. It was a real gift to have the camera operators in these intimate situations be close friends whom I trust implicitly. In a few additional instances other friends, a former student, and my partner picked up the camera when needed. People have called the project a very big “little film,” and I hope it inspires others to pick up the tools and technologies at their disposal to tell great stories.

 

Read full interview here

 

 

 

Tattoo artist Zulu Featured in LA Times as first African American president of NoHo Freemason Lodge

http://www.latimes.com/features/image/la-ig-0518-mason-pg,0,3941384.photogallery

( Richard Hartog / Los Angeles Times )

 

Zulu, the amazing tattoo artist featured in THE SKIN I’M IN is a Freemason, breaking down perceptions about the Masons and their membership.

“Zulu became curious about Freemasonry after tattooing Masonic symbology on several clients. He joined five years ago at age 39 and now serves as webmaster and senior warden of North Hollywood Lodge No. 542. He has also gone on to become both a Scottish Rite Mason and Shriner (Masonic membership is a prerequisite for both), and next year he will become the leader of his lodge. ‘I’ll be the first black worshipful master in the lodge’s history,’ he said, using the proper term of respect.”

Read more at: http://www.latimes.com/features/image/la-ig-masons18-2008may18,0,42602.story